![]() Now, 2018’s “Fifty Shades Freed,” again directed by Foley and written by Leonard, is the interminable climax, so to speak, but not much actually matters because nothing can come in between Ana and Christian’s playtime cued to a Shazam-worthy pop soundtrack. 2017’s “Fifty Shades Darker,” with directing reigns given to director James Foley and writing duties to James’ husband Niall Leonard, was slightly sexier but soapier and more episodic, and it never went dark enough. ![]() ![]() 2015’s “Fifty Shades of Grey,” as directed and written by women, seemed to acknowledge the absurdity of James’ prose, while still trying to take the dom-sub relationship between Christian Grey and Anastasia Steele seriously, and made a star out of Dakota Johnson. James’ erotic literary trilogy are a frustrating bunch.
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